I
have returned from another EdFringe adventure. I can honestly say it’s
been one of my favourite years. And, like a swarm of flyerers buzzing
around the Mile, it should be elbowing it’s way to the top.
Always
a mainstay of my Edinburgh Fringe visits, I saw Mark Thomas’ NHS Check Up at 70. Mark leaps around the
stage with a punk energy and master of controlling an audience. Mark’s
unashamedly One Of The Good Ones, taking his detailed research on the NHS and
turning those stories into engaging and powerful theatrical moments. His
shows always make me want to Change The World. With a smile on my face.
Unflinching and honest dissection of the fading NHS. People not profit.
There were a plethora of ‘Gig Theatre’ shows this
year. I think Gig Theatre is meant to combine the energy
of being at a gig with the story-telling of being at the theatre. The show that came closest for me to this model was What Girls Are Made Of, a riotous and joyous full band affair documenting
the teenage years of musician Cora Bissett. I couldn’t help but be envious, the show my theatre
company made would have boasted a full band had we the time/resources/funding
(blah blah blah poor us). But
with the might of the Traverse this show is immensely powerful. I saw people wiping away the tears, and the final
call-to-arms left me buzzing!
Other theatre using guitars were Status by Chris Thorpe/China Plate, Jim Harbourne’s The Myth of the Singular
Moment and One Life Stand by Middle Child. Status was one of my highlights, acerbic and bitter
and ultimately a punch-in-the-gut exploration of guilt, colonialism, ghosts and
borders. Chris’ ability to
pin the audience down with words ace, but his Simpsons’ reference that pins
down the play is masterful. I’m
still chewing over One Life Stand, I suppose it’s
a good thing. Somewhat
disorientating, the three-way narrative is erratic, jarring like a wild
Saturday night. Jim’s show
wielded acoustic rather than electric instruments, and told a
simple-yet-effective story.
A show about music I saw called Loop had some nice ensemble moments and good humour, but
it’s lasting message was essentially a simplified value that music is a good
thing, even if different generations clash over their love for it. I kinda fancied dancing to the music rather than
patiently watching the characters enjoy alone.
I am a bit gutted that my company’s show, Whatever Happened To
Vandal Raptor? couldn’t come up
but…well…you don’t need a long ramble about the costs of this endeavour,
But these shows were all inspiring, engaging and fuel
to go and begin work on my next show! The
perfect response to an EdFringe.
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