I promised myself whatever
life threw my way, I wouldn’t write reviews on this blog.
WHY? I have all these
opinions. Littering my life. Rubbishing it up. Begging to me scooped up. “Voice me!” they cry.
But no! For I used to
review, back in the days of The Talk Magazine, back in the days of Leeds
Student Newspaper (circa ye olde 2006-2010) and lo I decided I would much
rather hang with the bands / theatre makers / poets than review them for I
would become one of them, in time, with practise.
But.
Tonight I wrnt to see Josie Long for the first time ever
live. If you don't know her, she's a well-read funny comedian and shambles merchant.
I’m not gonna review. Nope
nope nope. But I will say, from a
Professional Performer Perspective I took away loads.
I took away smiles (yay!) and a Righteous Sense That The
Left Will Persist Until We All Smile (yay…?).
Josie’s show had a simple overarching concept of Can’t We All Get Along peppered
with these anecdotes about the shit that means we struggle to do just
that. But her buoyancy and overwhelmingly
(at times unnervingly) optimistic like a child bedazzled by the bright lights.
The bright lights in this context are socialism.
The show can be taken
at a Liberal Oooo -let’s-all-be-nice-to-one-another-ishness and several times
Josie berates herself for having a go at Tories (among others) but this isn’t as
simple as a Well-You-Have-Your-Opinion End Point, but more a tactic of
proclaiming her broad welcoming hub of leftism as the place you want to
be. It’s great, we have badges and the
best music.
Josie happened to
be very subtle, as much as her punchline (spoilers, yo) is that we’ve been
slowly converted. But actually, we have,
by her spirit and boundless bounding optimism, cynicism-free approach and
joyous rapport.
The best compliment I ever got ever (I do better with
compliments than criticisms) was someone saying they felt totally comfortable
in my audience as a compere. No mean
feat, compering is something I take pride in, and often get wrong, but like to
celebrate when it goes right.
To me, a 60+ show
is more than just a set. The comedian on
before Josie, Tez Ilyas, did a set and a blinder it was too and no
mistake. Poets at slams and open mics
worry about their 3 minutes, they can make the audience laugh, cry, alienated
or riled up. But the compere needs to
host the event, and someone doing a show needs to host themselves.
Host themselves? What
a nonsense phrase!
Well, no. Actually.
Josie’s constant jolting flip between celebrating her positively
over loves and quirks and habits to berating herself for a life of artistic
failure, lacklustre life choices and being a God Damn Leftie like some incompetent
shambolic vandal.
And it’s that DoubleThink I try to keep in my audience’s
heads when they see me. I try and make
the audience feel welcome and home (I prefer to address them as “friends” or “folks”)
and get them onside with cheers and quickfire responses. But then I also like to play things a bit
random, go off script as it were, make asides, in-jokes, reference the atmosphere,
stalk around like a Raptor, be
casually, flippantly and also deadly seriously political both off-handily and
in-face-edly. It’s a bite out of both, it can be both welcoming and have the harlequin
aspect punk embraces and vomits over.
I guess what I’m try to say is….
COME SEE MY SHOW WHATEVER
HAPPENED TO VANDAL RAPTOR? AT YORK THEATRE ROYAL 30TH AND 31ST
MARCH!
AHA IT WAS ALL A SUBTLE TRICK.
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